Cash Brown, Recliners 2009Transfers and acrylic on KLIPPAN Cash Brown has always made art… in some form of another. Whether it is printmaking, painting, installation, sculptural objects or drawing, she has maintained a constant devotion to aesthetics. Most importantly, Brown has never lost her sense of play. Formally trained in academic painting at the National Art School, Brown has an almost obsessive preoccupation with the history of western painting and its socio political baggage. This provides a departure point for her conceptual repertoire of visual and linguistic “gags”. - Excerpt from ‘Appropriate’ catalogue essay by Adam Cullen 2008.

Cash Brown, Recliners 2009
Transfers and acrylic on KLIPPAN

Cash Brown has always made art… in some form of another. Whether it is printmaking, painting, installation, sculptural objects or drawing, she has maintained a constant devotion to aesthetics. Most importantly, Brown has never lost her sense of play. Formally trained in academic painting at the National Art School, Brown has an almost obsessive preoccupation with the history of western painting and its socio political baggage. This provides a departure point for her conceptual repertoire of visual and linguistic “gags”.

- Excerpt from ‘Appropriate’ catalogue essay by Adam Cullen 2008.

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